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It has a right to access documents involved in criminal proceedings When the media’s right to access is challenged, however, courts use a two-part test.įirst, they look to whether “there has been a tradition of opening to the press the matter in question.” This is called the “experience” prong. The Third Circuit first explained the important role the media plays in the judicial system. This time, it reasoned that the government had never provided the court with discovery material before, so the provision of the Conspirator Letter to the court supported the conclusion that it was a (public) judicial record and not merely a (non-public) discovery letter. John Doe (not his real name, of course) intervened, seeking a stay of the Letter’s release. The privacy interests of the unindicted co-conspirator did not outweigh the public interest in disclosure. The district court ruled that the Letter should be disclosed, concluding that it was equivalent to a bill of particulars. The identification of unindicted co-conspirators in a major public corruption case (including one that implicates Governor Chris Christie) makes for good copy. A group of media companies then filed a motion to intervene to obtain a copy of it. This was all well and good until the media learned of the Letter’s existence. The Media’s Motion to Intervene and the Appearance of John Doe At a motions hearing, the court dismissed all discovery motions (which included the motion for a bill of particulars) as moot. Ultimately, the court did not rule on the motion for a bill of particulars. But when it suits DOJ’s purposes, it relies on the USAM’s policies.) But DOJ always says the USAM is not binding and creates no substantive rights for a defendant if DOJ violates the policies in it. The government argued that maintaining the letter under seal was in line with DOJ policy. Attorney’s Manual that directs prosecutors to “avoid unnecessary public references to wrongdoing by uncharged third-parties. Baroni objected to how the letter was submitted to the court, the government again objected. The government apparently did not file the Conspirator Letter with the court clerk. The government also provided a copy to the district court judge but did not file a formal motion to seal it. The government provided a “Conspirator Letter” to the defense on January 11, 2016. (It never likes to tell the defense anything it doesn’t have to.) But the government agreed to provide “in a document to be filed under seal, identify any other individual against whom has sufficient evidence to designate as having joined the conspiracy.” The government, as it always does, opposed the request. A defendant’s normal strategy is to file a motion for a bill of particulars, so you can find out who the government thinks is a co-conspirator. Like many complex white-collar cases, the indictment of New Jersey government officials Bridget Kelly and William Baroni alleged that they committed their scheme to misuse government funds with several co-conspirators. It turns out that whether a document is a court filing or a discovery letter makes a very big difference. The media’s right to access information about this ongoing trial conflicted with the right of an unindicted co-conspirator to remain unknown. United States, the Third Circuit addressed another interesting legal issue that arose within the Bridgegate scandal in New Jersey. 4/15/2024 0 Comments Popular japanese anime composerHer style is very dark and always beautiful, it gives the feeling of Howard Shore’s work on the Lord of the Rings. Yuki Kajiuraĭespite being a big fan of all the previously mentioned composers (and many more that could not make the list), Yuki Kajiura (born 1965) remains my favorite. She is worth taking a further look at, if only to marvel over the sheer volume of work. A nice preview of her work includes: “ Sora” and “ Dance of Curse“. I can not give justice to her in just a paragraph or so – some of her famous soundtracks include: Escaflowne (1996), Cowboy Beebop (1998), Wolf’s Rain (2003), Ghost in a Shell: Stand Alone Complex (2002) and CardCaptor Sakura: The Movie (1999). She has lent her talent to anime TV shows, movies, live action shows, video games, song writers (notably Maaya Sakamoto) and commercials. Yoko Kanno (born 1961) is a big name for the Japanese media industry in general. Yoko Kanno The brilliant lady behind the music Even though there are thousands of great pieces by him, I would like to highlight: “ Howl’s Moving Castle: Main Theme” and “ Princess Mononoke: Main Theme“. His melodies are rich in both instruments and emotion. He is most famous for his work with Hayao Miyazaki ( Princess Mononoke (1997), Spirited Away (2001) and Howl’s Moving Castle (2004)), but has contributed to many Japanese live-action films as well. Hisaishi has composed and directed hundreds of musical scores. Formally known as Mamoru Fujisawa (born 1950), Mr. If you do not recognize Hisaishi then it is very likely that you have been living under a rock. Standout tracks include: Distant Everyday Memories and Sayuri’s Melody. Tenmon’s music initially utilized the piano, although as Shinkai’s works got more exposure, more instruments have been added to the ensemble. Meeting Makoto Shinkai in a visual novel game company lead to various collaborations like the beautiful melodies for Shinkai’s works of She and her Cat (1999). Shirakawa Atsushi, more commonly known as “Tenmon” was born in 1971 and originally composed music for Falcom games. Tenmon If you see a Shinkai film, Tenmon is behind it. To get a taste of his greatness, some standout tracks include “ Sadame” and “ Distant Memory“, just to name a few. He won an award for “Best Music” for the film “ Always: Sunset on Third Street“. This man is one of the youngest out there in composition (born 1970), and the most popular soundtracks he has been part of is X TV (2000), Eureka Seven (2005), although he has also collaborated for the End of Evangelion (1997) team. Naoki Sato Sato-san looking sombre, often like his music. Here are 5 anime composers that are incredibly underrated and deserve more attention. While movies may be the first association you make with the two magical words ‘musical score’ (theatre close second), what about the anime scene? Many are unaware that scores for Japanese animation is taken just as seriously as film (at the best of times, anyway). If I was to write about all of them, it would be near impossible. Movie and classical music buffs alike love a great musical score – John Williams with Star Wars and Howard Shore with the Lord of the Rings films are just two names big enough to make music fans squeal with glee. Top 5 Anime Composers That You Should Listen To 4/15/2024 0 Comments Creating a signature in pdfThis guarantees everyone’s safety since the document will remain available and unalterable forever. Once signed, the online document cannot be altered, forged, or modified without breaking the encryption. The PKI helps ascertain the identity of whoever is signing, which device they’re using, and other relevant data to provide legal validity worldwide. Reliability is highly sought after within the healthcare space, especially for those practices going paperless.ĭigital online signatures are validated through a framework of encryption and cybersecurity called Public Key Infrastructure (PKI). 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4/15/2024 0 Comments String quartet in sibeliusSibelius, it should be noted, never intended them to be presented this way. These miniatures can be quite enjoyable on their own, but they tend to become monotonous when played back to back, as they are here. To find the perfect subscription for you, simply visit: .I believe it was the great philosopher Mae West who said, "Too much of a good thing is wonderful." While undoubtedly true in some areas of human endeavor, this principle hardly applies to the string orchestra music of Sibelius. We have been writing about classical music for our dedicated and knowledgeable readers since 1923 and we would love you to join them. It’s a risky, impulsive approach, but one that certainly pays high dividends in terms of intoxicating sweep, brazen ardour and, well, sheer daring." "Even more than Segerstam, Franck takes an extraordinarily long-breathed, flexible view of this heady tableau, imparting an unashamedly sensual voluptuousness to the secondary material in particular. Swedish Radio Symphony Orchestra / Mikko Franck This is a veritable treasure house which will, I feel, come as a great surprise to those who think they know their Sibelius." Only very few of the songs are wanting in interest, most of them are very rewarding indeed and there are many more masterpieces than is commonly realized. In terms of ambition and - not just ambition - but achievement, this box is a major event. "The performances throughout the set are authoritative and majestic. Tom Krause bar Irwin Gage pf Elisabeth Söderström sop Vladimir Ashkenazy pf Small ideas grow great with inevitability – a testament to Sibelius’s genius and Vänskä’s integrity. "And so to the almost but not quite conclusive Seventh – epic in all but duration, as grand and elemental as it is concise. I never would have thought of putting these two works together, but in this group’s hands it has resulted in something wonderful." "The Ehnes Quartet’s Sibelius tells a similar story of deep soul painted with a panoply of colours, dynamics and emotion, with a natural dramatic flow throughout. Sibelius String Quartet in D minor, 'Voces intimae' "To study how the two scores differ is to learn something important about the creative process and it's this mystery that makes this disc imperative listening – and not just for Sibelians." "Karajan's account of the Fourth Symphony has withstood the test of time as one of the most searching, profound and concentrated performances of this masterpiece." "Apart from the two versions of The Oceanides, this may not be great music, but for any lover of Sibelius it makes compelling listening, helped by masterly performances and beautifully balanced recording."īerlin Philharmonic Orchestra / Herbert von Karajan "The string ensemble at 12'06" is extraordinary and the power and confidence mustered after that delicate hesitance is awesome, not least as it recedes into nothingness." To find the perfect subscription for you, simply visit: .uk/subscribeĪnne Sofie von Otter mez Finnish Radio Symphony Orchestra / Hannu Lintu Subscribing to Gramophone is easy, you can choose how you want to enjoy each new issue (our beautifully produced printed magazine or the digital edition, or both) and also whether you would like access to our complete digital archive (stretching back to our very first issue in April 1923) and unparalleled Reviews Database, covering 50,000 albums and written by leading experts in their field. It finds Sir John at his inspirational best in a reading which marries outsize but never wilful temperament to edge-of-seat spontaneity and keen poetic instinct." "In the pantheon of essential Sibelius recordings, Barbirolli’s October 1962 account of the Second Symphony with the RPO deservedly occupies a place of honour. Royal Philharmonic Orchestra Hallé Orchestra / Sir John Barbirolli That quiet intensity is maintained throughout achieving an extraordinary other-worldly quality in the recurring passage which feels its way like disappearing footsteps in the snow just prior to the first-movement coda." The beautiful opening theme at first seems indivisible from the oscillating icy haze of the orchestral violins and maintains its mystery where other players might be inclined to exploit its beauty in riper tone and richer, more ‘expensive’ phrasing. "Batiashvili homes in here on the ethereal quality of the lyricism. Lisa Batiashvili vn Staatskapelle Berlin / Daniel Barenboim Osmo Vänskä's Sibelius recordings are so warmly received by Gramophone's reviewers that we probably could have made a Top 10 comprised simply of his albums, but we have tried to widen the net a little to allow room for the likes of Sir John Barbirolli, Herbert von Karajan and Daniel Barenboim. If you are exploring Jean Sibelius's music for the first time, or want to discover a new recording of a long-cherished work, then we hope that you find this list of recommended recordings useful. 4/15/2024 0 Comments Youtube mp3 conconventer downloadYou can download videos from YouTube in many different qualities, including 128kbps, 320kbps, 64kbps, 96kbps, 192kbps, and 256 kbps. This YouTube to MP3 converter for Mac lets you convert YouTube videos to MP3 with just several clicks. 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YTD Video Downloader is a free video downloader and converter that lets you download videos from YouTube, Facebook, and many other popular video-hosting websites. In this part, let’s first look at the best desktop software for converting YouTube videos to MP3 format. Best YouTube to MP3 Converters for Mac – Desktop Software Read on to find out which tool can better help you convert YouTube to MP3. Want to know how to convert YouTube to MP3 on Mac? However, YouTube does not let you convert a video to MP3 format directly, but you can still get the job done by using a powerful YouTube to MP3 converter for Mac, including online tools and desktop software. Bonus Tip: A Free YouTube to MP3 Converter for Windows.
4/15/2024 0 Comments Clive christian noble collectionA mellow Tonka bean base is enriched by the deep, opulent textures of golden Amber, Sandalwood, and Madagascan vanilla, culminating in a silky alabaster finish delicately touched by a spritz of Musk. Cardamom, Nutmeg, Pimento, and Artemisia oil create a potent elixir that complements citrusy Bergamot, Lime, Sicilian Mandarin, and Pink Grapefruit notes, giving the fragrance a refreshing heart. About Exploring a life written in perfume from the key qualities that colour the world of Clive Christian Perfume. This majestic woody amber fragrance opens with lively pimento and sparkling lime, revealing an exotic floral and spice. Clive Christians masterpiece, No1, is a harmonious fusion of 222 rare and precious ingredients sourced from around the globe, capturing the essence of refined perfumery. Thyme's herbaceous notes are gently toasted beneath golden flames of Nutmeg, evoking the spirit of the East while hinting at England's rustic past. nutmeg, sandalwood & tonka20.0 Perfume Concentration. The earliest edition was created in 1872 and the newest is from 2023. The crowning touch is a velvety 50-year-old aged sandalwood, adding a signature flourish to this exquisite perfume. Designer Clive Christian has 87 perfumes in our fragrance base. At the top, a surprising burst of sparkling lemon adds an. A harmonious blend of lemon, caramel, and benzoin intertwine with the essence of natural cocoa, intense ylang-ylang, and sensual jasmine, breathing life into this warm and comforting perfume with a complexity of 223 ingredients. This majestic woody amber fragrance opens with lively pimento and sparkling lime, revealing an exotic floral and spice heart that evolves into a base of vetiver and tonka bean. lemon, benzoin & cocoa25.0 Perfume Concentration. Tonka, a sweet and praline-like spice with a hint of vanilla, provides the perfect base for gourmand notes and ambers, enhancing Blonde Ambers richness and indulgence. Size: 50ml Bottle 50ml Bottle 1.5ml SAMPLE. or 4 interest-free payments of 145.00 with. Great job this "L" by Clive Christian! Very sensual, credible entry (albeit EXPEN$IVE) worth a sample.Clive Christian's masterpiece, No1, is a harmonious fusion of 222 rare and precious ingredients sourced from around the globe, capturing the essence of refined perfumery. This incredibly versatile ingredient adds endless dimensions to the perfume, each twist and turn revealing its complexity. Clive Christian Noble Collection XXI Art Deco Amberwood Eau de Parfum. Noble Collection Vanilla Orchid EDP 50ml. Express delivery available or in-store click & collect. And "L" remains stable, never ceasing to provide that wonderful and revitalizing effect that draws me to citrus-vetiver scents like this. Shop Clive Christian Perfume No 1, X, & more Fragrances Online at David Jones. Also, it is in the same vicinity of fragrances like Azzaro's Pure Cedrat, which has a similar citrus-musk type quality as "L" but also seems to change and fade too quickly. al.) as I behold "L." The longevity in this scent seems to eclipse the sharp drop-offs I'd experienced from Imperial de Guerlain. XXI Art Deco Cypress was launched in 2018. XXI Art Deco Cypress by Clive Christian is a Aromatic Fougere fragrance for men. I am reminded so often of the many lemony eau de colognes I have sampled (e.g. Perfume rating 4.51 out of 5 with 190 votes. I don't think "L" presumes to be an oud fragrance per se IMO, Clive Christian's "V" comes a lot closer to this. hit with its typical animalic, smoky wood effect. There's oud in this one? If so, it is in very small amounts meant to further augment this spring weather quality vs. Though not listed, I do detect additional herbs and / or spices that tastefully accent this fantastic fragrance. Smooth, restrained, and allowing the entrance of fresh vetiver, woody cedar (very subtly), and fir greenness to "firm" up this sensation. Whoah! Starts out strong with a bright neroli-like shine of the grapefruit, along with the immediate presence of petitgrain to really load this citrus fruit opening with a Noble Collection Private Collection Notes. viewBox'0 0 15 15' RECEIVE COMPLIMENTARY SAMPLES & FREE SHIPPING. Amidst a riot of blossoming florals and dried fruits, an indulgent blend of fine ingredients emerges, with a complexity of 219 components. Discover our collection of Amber perfumes and explore ingredients that are warm and rich in some of Clive Christian’s most exclusive fragrances. A tale of Art Deco opulence unfolds in this warm amber fragrance, infused with aromatic and smoky blonde tobacco. Clive Christian Original Collection - Travellers Set - Feminine. bitter orange, tonka & blonde tobacco25.0 Perfume Concentration. And onto my impressions of Clive Christian's L for Men. Clive Christian Noble XX Water Lily Perfume Spray. 4/15/2024 0 Comments Icebreaker games for kindergartenGather people who come to school in a car, a bus, and on foot.Line up in alphabetical order by last name.Gather people who are wearing the same color as you.Line up according to how many siblings you have.Line up in birthday order from January to December.Line up in birth order (youngest to oldest or oldest to youngest).This game has students moving around freely until the teacher tells them to get in a line or a blob (small group) according to a category. Learn more: Back to School Snowball Fight/The Teaching Kitchen 4. 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We’ve collected active icebreakers from around the web to use at the beginning of the year, after winter break, and any old Tuesday you feel like you need to reset and break some ice. Icebreakers refocus students, teach kids something new about each other (and themselves), and can be a great way to push kids out of their comfort zone. It doesn’t matter what time of year it is, active icebreakers are always a good idea. It was an elegant white dress, sewed by your favourite sister. A divorce from the material dress as an annulment of that promise before the family, the people, the state, maybe God. That is what I read into: this act of separating from something that solely belongs to your past, not to your present. This piece of fabric represents an inconvenient witness of a marriage that you do not want to be part of anymore. Or the image of this younger version of you that hangs on the wall in your bedroom. It was this resoluteness of your decision that made an impression on me, that was so different to how I knew you. The loss of a dress, the materialised memory of an initiation ritual for life on the side of a husband, occurred to me as the first act of emancipation I have seen you perform since I have known you. I’m probably thinking about this loss more than you did. I recognised your action, understanding what I could not understand.Īnd still, it made me contemplate your life from an entirely new perspective. I wondered how it made you feel the day you decided to get rid of it, you must have felt estranged to the day you wore it for the first and only time, mustn’t you? Nothing had remained of the young bride other than this dress. I could not really understand what had gotten into you. Anyway, it was not the demise of the dress in the first place but the way you said it that struck me. You, sleeping in the room underneath and the dress upstairs-forgotten, but not forgotten enough. It lived in the old cupboard, keeping memories of times long past, paled as the colours of its wild mix of fabrics. Your wedding dress had to move out-you had coexisted in intimate proximity for too many years. It was not solely the anecdote about this white, abandoned dress made of fine lace no longer sleeping in the cupboard that astounded me, but the determination that led to this. In this moment, I understood that your life was never about yourself. Like the easing of weight from a past that had visibly passed. I could glimpse a spark of gladness in your eyes, the sort of gladness that comes with trashing something you had no longer wanted in your life for a while. It equally seemed to not mean anything to you anymore. You were talking about it as if you were talking about this old pair of running shoes that had always hurt you when you would wear them. Or rather, I understood it when you told me in a completely indifferent voice, like it was the most casual thing in the world, that, after almost fifty years of marriage, you had just thrown it into the bin. For me, this act illustrates the moment when I suddenly understood something. I see you throwing away your wedding dress. Keywords: affective archives, feminist methods, silence, intergenerational relations, cultural politics Disclosing silences paves a way to connect stories across generations and allows one to listen, relate, and eventually transform trauma covered by collective silence retrospectively. This body of research becomes a quiet attempt to develop a deeper understanding of affective and tacit remains of invisible violence through unpacking forgotten silences and breathing new life into them. I am activating blurred, fictive, and forgotten memories whose echoes, reverberating across two generations, begin to respond to one another and reassemble in a larger archival body of silenced knowledge. Experimental techniques such as letter-writing and recontextualizing family photos set the framework to interweave threads of silent stories through personal and familial history. Applying subjectivity and intimacy as the voices that guide the research process, I am initiating a dialogue between two silences informed by bodily memories, fictive ethnography, and self-reflection. Using an autoethnographic approach, I am exploring the space between vulnerable and restorative engagement with intergenerational trauma. With ‘Archive of Silence’, I am opening an archive that I carry-one that contains a story of gendered silence between my grandmother and me. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |